01/08/2014

Today’s fashion (for @nelsonhoward)

Today’s fashion (for @nelsonhoward)

tastefullyoffensive:

Name Improvements for Everyday Stuff [x]

Previously: Crazy Ideas That Are Borderline Genius

Isn’t this the work of azizisbored?

(via haleystumble)

(Source: rotomangler)

31/07/2014

(Source: jakeronomicon, via jakeronomicon)

30/07/2014

“ The first generations of “academic artists” hit NY in the late 70′s to late 1980’s. I can tell you that very, very few of those artists were still making work in the late 1990’s and even among the successful ones,only a small handful are still making art today. Why? Because it is very hard to sustain any kind of real personal dialogue with art, if you come out of school and start making your own work right away. There is no period of failure. No striving to develop the true inner dialogue on which art is based. What one ends up dialoguing with is success and recognition. The all important period of developing your own vocabulary which is best done in the shadows is truncated, starved.Instead what one sees are people copying what seems to work for other artists and this is a betrayal to ones own budding vision, which cannot be rushed to fulfill some ego based need for recognition. There are many of examples of people who got that recognition early, shows, tours and grants from age 26 on who are empty and artistically exhausted by age 39, just at the moment that ones own vocabulary starts to naturally coalesce. „

Letter To A Young Artist # 1 Penny Arcade (via photographsonthebrain)

(via notational)

prostheticknowledge:

RIP Eleanor Kent

San Francisco artist who was an early explorer incorporating computing and technology in artistic practice. From SFGate:

Eleanor Kent, one of the early Bay Area artists to pioneer new technology as an art form, died of lung disease in her San Francisco home on July 17. She was 83.

… Ms. Kent started painting and drawing seriously in the mid-1950s after getting a bachelor’s degree in English at Harvard University. When color copiers appeared in the ’70s, she lugged a 1,000-pound Xerox machine to the top floor of her Noe Valley Victorian and began painting on fabric and T-shirts and using the color copier to create prints of poppies, lace, shells, bones and eggs.

Throughout the ’80s, she collaborated with early Silicon Valley tech companies to influence and test-drive their new design tools, such as Apple’s graphic tablets and Vectronic’s Koala Pad.

She taught herself to program in BASIC computer code on her first Apple IIe and printed pictures in dot matrix that she transformed into Cibachrome prints. The large pixels of her prints reminded her of stitches, so Ms. Kent started knitting fractals, Koch curves, Pascal’s triangles and other mathematical images into body jewelry using electro-luminescent wire, which surrounds the wearer with light.

“My mom did things other artists simply didn’t do,” said her son, James Schermerhorn IV.

More at SFGate here

Eleanor Kent also had a website featuring her work, which you can find here

theenergyissue:

Mapping Ocean Swells with Marshall Islands Stick Charts

Until World War II, Marshallese islanders mainly used stick charts to navigate canoes between the islands of Oceania. Lacking astrolabes, sextants or even a compass, they instead constructed maps from the midribs of coconut fronds. Lashed together to form an open framework with islands represented by shells, the maps encoded complex information about ocean swells, the prevailing ocean surface wave-crests, and the directions they followed to approach an island. In this way, the stick charts captured data not traditionally included in navigation maps, but integral to safely navigating the seas. Furthermore, each map was unique, interpretable only by the navigator who made it. The maps were not taken along during navigation, but studied and memorized prior to a trip. Once on board, the navigator would would crouch down or lie prone in the canoe to feel how the hull was being pitched and rolled by underlying swells. 

(Source: socks-studio.com)

29/07/2014

theenergyissue:

The Bio Intelligent Quotient (B.I.Q.) Building is the First Fully Algae-Powered Architecture

Operating successfully for over a year, the Bio Intelligent Quotient (B.I.Q.) building in Hamburg, Germany is the first to be fully powered by algae. The building is covered with 0.78-inch thick panels—200 square meters in total—filled with algae from the Elbe River and pumped full of carbon dioxide and nutrients. The panels, which display the bright green algae, are not only aesthetic, but performative. When sunlight hits the “bioreactor” panels, photosynthesis causes the microorganisms to multiply and give off heat. The warmth is then captured for heating water or storing in saline tanks underground, while algae biomass is harvested and dried. It can either be converted to biogas, or used in secondary pharmaceutical and food products. Residents have no heating bills and the building currently reduces overall energy needs by 50%. 

:-O

(Source: fastcoexist.com, via paradoxicalparadigms)

soundsandpressure:

Class Mate magazineJim Wilson1968


Jim? More like Wes

soundsandpressure:

Class Mate magazine
Jim Wilson
1968

Jim? More like Wes

(via newenglandwoodstock)

clitterly:

emilyvgordon:

shepherdsongs:

I was driving past a business here in the Houston Heights, when I glimpsed this painted on the side of the building. I recognized that iconic WWII poster before I realized it was not just any woman, but 14 year old Malala Yousafzai, the Pakistani girl who was attacked for wanting an education. The words next to her are her quote, ( “I don’t mind if I have to sit on the floor at school.) All I want is education. And I’m afraid of no one.”

This is gorgeous.


yes

clitterly:

emilyvgordon:

shepherdsongs:

I was driving past a business here in the Houston Heights, when I glimpsed this painted on the side of the building. I recognized that iconic WWII poster before I realized it was not just any woman, but 14 year old Malala Yousafzai, the Pakistani girl who was attacked for wanting an education. The words next to her are her quote, ( “I don’t mind if I have to sit on the floor at school.) All I want is education. And I’m afraid of no one.”

This is gorgeous.

yes

(via c-o-l-o-r-myworld)

(Source: waken-thou-with-me)

28/07/2014

autoentropy:

Christoph Waltz

autoentropy:

Christoph Waltz

(via theinz10)

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